Singer Florence Welch writing stage musical model of ‘The Nice Gatsby’

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NEW YORK — Florence Welch is ditching the machine for musicals.

The Grammy-nominated chief of Florence + The Machine is supplying the lyrics and co-writing music for a stage musical adaptation of “The Nice Gatsby,” it was introduced Wednesday. No forged or premiere venue was introduced.

Welch will collaborate on the music with Thomas Bartlett — who earned a Grammy nomination for greatest track written for visible media in 2019 for “Thriller of Love” by Sufjan Stevens — and story author Martyna Majok, who was awarded the 2018 Pulitzer Prize for drama for “Value of Dwelling.” The musical will likely be directed by Olivier Award nominee Rebecca Frecknall.

The copyright to F. Scott Fitzgerald’s basic Jazz Age novel expired on the finish of 2020, which means anybody is now allowed to adapt it to a film, make it into an opera or stage a Broadway musical with out permission from the property.

“This guide has haunted me for a big a part of my life,” Welch stated in an announcement. “It comprises a few of my favourite strains in literature. Musicals had been my past love, and I really feel a deep connection to Fitzgerald’s damaged romanticism. It’s an honor to have been supplied the possibility to recreate this guide in track.”

Fashioned in London in 2007, Florence + the Machine’s 2009 debut “Lungs” was successful in the UK and reached No. 14 on the Billboard 200. The band’s breakout observe is “Canine Days Are Over.”

Different rock and pop stars who’ve written unique musicals embody Cyndi Lauper, Sheryl Crow, John Mellencamp, Sarah McLachlan, Dave Stewart, Tori Amos, Edie Brickell and Trey Anastasio from Phish. For each Elton John, who discovered superb success with “The Lion King,” there’s U2′s Bono and The Edge, who had been battered by “Spider-Man: Flip Off the Darkish.”

Some huge names within the pop world who stumbled in musical theater embody Paul Simon, whose 1998 Broadway present “The Capeman” was essentially the most high-profile failure of his profession. “Taboo,” Boy George’s foray into the world of musicals, went nice in London however not in New York.



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